So I had this idea to do an illustration showing that the Easter Island statues have an underground component. I finally got it done and made it into a tshirt design.

I don’t think it makes a great tshirt design - it’s a pretty illustration and has lots of little details to look at. On top of that, many of the comments suggest people can’t make out the underground part very clearly. In retrospect I agree, and have some ideas on how to fix it. I don’t think I’ll resubmit an updated version, but might revisit it in case I want to make a print.

Anyway, it’s up on threadless.com for voting. Click the little banner below:

About a week ago I picked up a copy of ImagineFX, a digital sci-fi art magazine. It’s a really great magazine, full awesome art and tutorials. Anyway, it inspired me to do some digital painting of my own.

Lately I’ve been learning to play blues on my acoustic guitar, so I wanted to paint a guitarist. I like the look of those old school guys, but none of them are that recognizable (at least to me), so I picked Mark Knopfler instead.

Here’s what I came up with:

I’m pretty pleased, but also feel that it needs a bit more work to feel really finished.

Here’s how it went down.

I used this reference photo.

I placed the photo into my Photoshop CS2 document and started painting using my small 4×5 Wacom Graphire tablet.

First, I tried painting from the unaltered original photo but it wasn’t turning out very well. I was having a hard time picking out the key shapes and details, and was also screwing up the proportions.

Here’s how it looked:

Not satisified, I decided to adjust the contrast (via the Curves dialog) of the original photo to help simply the image. Once I was happy with the contrast adjustment, i started painting.

This helped a lot, and my painting was fairly close to the original.

Here it is:

I used a chalky brush to define the outside of the black areas to make it seem more like a non-digial piece. I found a brown paper texture and a photo of a Fender Stratocaster to complete the piece.

In the future, I plan to use this technique as a starting point to a painting. Once I establish the general shapes / shadows, I can fill in the smaller details.